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USE PROTECTION

277236988_d9a4dca962Photo credit: Kanonn

By Marci Liroff

You’ve got an extremely emotional scene to do. You arrive early to your audition so you can get settled and get in your “zone”.

In the waiting room you overhear the casting assistant talking to CAA about sending a script to Mr. Famous Actor for your role. You can actually hear the actors auditioning in the other room and they’re getting a great reaction. You’re starting to question all your choices. “Eek! I wasn’t gonna do that!”

You shove your earbuds even further into your ears hoping you can drown out all these distractions that will be undoubtedly be your undoing. “I’m good. I’m in my zone. I can do this!” you repeat over and over. You’re calling up your character’s emotional past to grab onto the emotions you’ll need for the upcoming scene.

You’re ushered into the casting office and are greeted by a peppy and excited assistant OR a group of people that barely register that you’re in the room to audition. Then they want to chat. “How’s it going?/What did you think of the script?/Do you have any questions?” In the background you can hear the distinct sound of your heart beating so loudly that you can barely hear them asking you these inane questions. Then you realize, no, it’s not your heartbeat it’s the distinct sound of a drill because they’re putting on a new roof on the office while you’re auditioning.

Are we having fun yet? No, we’re not. How can an actor give a great audition against all these odds that seem to be set up as an obstacle course to make them fail? Protect yourself. Yes, YOU have to protect yourself against all these outside elements. Concentration is key but asking, or rather telling them what you need is also crucial. This is what I call “controlling the room”.  If you have a traumatic scene to do and you’re all geared up to connect to the character’s pain emotionally, then you come into an office and have to chat first – protect yourself. You can say, “I’d love to jump into the scene first then we can chat after.” It’s all about the way you ask/tell. If you’re polite and gracious you can get away with murder in this setting – as long as you’re not a diva about it.  Remember, we want you to do well. We want to help you. It’s ok to ask a specific question about the scene, character, screenplay beforehand but make sure that you can use the answer in a very specific way to inform the way you’ll play the upcoming scene.

If you get lost in the first few moments of the scene, stop and say, “I’m going to start over” and do just that – start over. Don’t ask for permission. You need not make a big deal about it. Don’t apologize and don’t have a meltdown. Remember, you didn’t do anything horrible – but if you flip out and say, “I’m so sorry, can I please start over? Damn I always do that!”, then you give me pause and I’m now worried how you’ll be on set if this happens. It’s how you handle these little speed bumps that shows us what a pro you are.

Remember, this is your time. This is your audition. Tell us what you need.

I’d love to hear about how you protect yourself in auditions and I’m sure it would help our community as well. Leave a comment and share this blog with your friends.

Glad you’re here!

Marci

 

 

BEWARE OF THE INTERNET

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By Marci Liroff

Lately, I’m seeing a lot of your self-taped auditions, monologues, and self-produced content on public sites on the Internet. I’m all for empowering yourselves as artists by generating content, but please make sure it’s professionally made. We’re living in a time where you can easily create content and clips for your reel, but I’d truly rather see nothing than see badly crafted films and scenes. Just because you have a camera doesn’t mean you should use it. Your projects have to look just as good as the footage I’m seeing on network and film projects. Think about it for a moment. If you’re sending me clips of your homemade short film and it looks like your uncle shot it, the sound and lighting is bad and the writing is horrible— how do you think that makes you look?

In my Audition Bootcamp class the other night one of my students told a story of how she had pitched a short film to the site Funny Or Die and they were very interested. She and her crew shot the short film and when all was said and done, she pulled the plug. It wasn’t funny enough. It didn’t meet her expectations. This is a young actor and writer who is just starting out and had the wherewithal to not post her film because she didn’t think it was good enough. How brave. How smart.

When I’m casting a project I get a lot of self-taped auditions sent to me in many different forms. They come to me through Cast It Talent, YouTube, Vimeo, HighTail (formerly YouSendIt), Actor’s Access, and links to the actor’s personal website. The Internet has made it very easy to self-tape your audition from a distant location, upload it to one of the many sites available and send it to me quickly. I love that I can view so many auditions from all over the world with ease.

But, please take heed. Your auditions for my project should not be available for public consumption. They should only be viewed by me and my filmmaking team, the network, and the studio. The material (the script and audition scenes) is not meant to be viewed by the public at this pre-production stage, or frankly, ever – UNLESS approved by everyone involved on the project. You’ve heard of spoilers right? If I’m casting a project that has a top-secret script it would be extremely detrimental to the project if there were auditions popping up all over the internet which would reveal the storyline. On my last project, the producer found 3 actors who had posted their auditions for our film on YouTube and berated me because I didn’t control this better.

If you’re going to post your auditions online at these various sites that aren’t secure (such as YouTube and Vimeo) please make sure they’re password protected. It’s a very simple and easy process and only the person who’s intended to see it will be able to access it.

I always say, “You can’t put the toothpaste back in the tube”.  Make sure you’re putting content out there that represents you in the best light. (literally and figuratively)!
I’d love to hear your thoughts and comments on this situation. Has this ever happened to you? It’s always good to share with the community. Leave a comment, share this blog with a friend!
Glad you’re here!
Marci

 

 

8 Ways To Survive The Dreaded Waiting Room

By Marci Liroff
You’ve prepared. You’ve rehearsed. You’ve worked with your coach and picked out the perfect outfit to wear on your audition. You’ve even arrived slightly early and found “Doris Day” parking right in front of the casting office. You’re all charged up and ready to go and you turn the corner to find 10 people sitting in the waiting room for the audition. Aargh!
I know exactly how this feels because I have to interview/audition like you do for a job sometimes. When I come to an office to meet a producer or director and I’m all pumped up and have to wait awhile, I get totally deflated.  All my energy and enthusiasm gets sucked out of me. Here are a few things you need to do to protect yourself from the elements and stay in your creative zone to do your best work.

1. Be on time and expect to wait.  Many times, the director/producer will show up late and screw up my meticulously scheduled day. Or we get stuck on a time-sensitive phone call about securing financing for the project. You may have to wait a long, long time and we get behind. Sometimes we get WAY behind and you have to wait an hour.  It’s horrible. It’s important that you do what you need to do to keep yourself from losing your energy and it doesn’t affect your attitude – whatever it is that works for you. I recommend using headphones or earbuds because it drowns out what’s going on in the room. Furthermore, if you have your earbuds in, no one will talk to you! It’s like your own form of privacy.
2. Don’t get caught up in the “scene”. There’s always that one guy/gal who’s bragging about all the auditions they’ve been on lately. It can sometimes make you feel “less than” if you’ve only had a few in the last several months. This is where the earphones come in handy! Don’t get sucked into the weird energy that sometimes exists in the waiting room. Concentrate on your scene and your character.
3. Stand up if you feel like it. For me, sitting too long just drains all my energy and I leave it on the couch or chair. Stand in the hallway (don’t go to far so that we have to come hunting you down when it’s your turn though!). After auditioning for years, you’ll know what works for you in terms of preserving and protecting your energy and state of mind.
4. Be careful not to diss the material – you never know who’s in the waiting room. It could be a friend of the writer or the producer’s wife.  You literally never know. 
5. Try as hard as you can NOT to listen to the other actor’s audition thru the door.  It’ll make you rethink your own choices and destroy your own reading. You’ve worked hard on your audition with lots of preparation. Stick to your choices.
6. Be nice to the casting assistant.  They are my eyes and ears.  If you’re rude or abusive to them, believe me I will hear about it and not be so inclined to bring you back. This would seem like common sense, but you’d be so surprised of the stories I’ve heard from my assistants. Believe me when I tell you that they will, one day, run a studio or direct your next film!
7. Check in with the assistant when you arrive and check to see that you have the correct set of sides.  Better to find out BEFORE you come in the audition room and hopefully you’ll have a few extra minutes to get up to speed if the version of the sides has changed. 
8. Bring comfortable shoes. This one’s for the ladies. My office moves around from project to project and we sometimes get offices that are buried deep into the studio lot and parking is miles away. If you’re in high platform heels, your “dogs are gonna be barking” by the time you get to our office and all you’ll be able to concentrate on are your aching feet! Throw a pair of sneakers or flip flops in your car for the walk.
I’d love to hear what other ways you cope with the waiting room in the comments below. It’d be great to share with each other what works for you!
  
Do you have any questions for me? Feel free to ask them here!
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We welcome your comments and suggestions.
 
Glad you’re here!
Marci 
 
(you can also read this article on Back Stage Magazine by clicking here)
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