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You’ve Got the Role!

thBy Marci Liroff

What’s the best part of my job? That’s easy: telling actors they got the role. Some agents and managers are generous enough to include me when sharing the news with their clients. It’s beyond exciting. All our hard work paid off and I end up jumping up and down with them from my office.

On the film “Vampire Academy,” our producer Deepak Nayar came up with a unique and classy way of telling Zoey Deutch and Lucy Fry that we’d chosen them to play our leads. After a lengthy testing process of auditions, callbacks, and, ultimately, chemistry screen tests with different pairings of female actors, he asked me to invite the two to a meeting at a restaurant with the pretense they had one more hoop to jump through. The creative team had already signed off on the casting, but we wanted to be a part of delivering the news. I told their agents that we needed one more meeting with them and all the filmmakers. Their agents and managers were extremely leery of letting their clients go on yet another meeting when they had already tested: “Haven’t they done enough? What more do you want?” I asked them all to trust me. Our long-standing relationships came into play.

I arrived at the restaurant to find our writer, executive producer, director, and Deepak. He had instructed me not to tell anyone at the table that the girls would be joining us. Frankly, they were quite surprised when the actors showed up to our celebratory lunch. First Zoey arrived, and our director inadvertently leaked that we were celebrating their casting.

Then Lucy joined the luncheon and still had no idea why she was there. Deepak finally got to deliver the good news and she was, as expected, quite stunned. Luckily we managed to capture both their reactions on film, which you can watch on my YouTube channel. It still gives me the chills to watch these videos.

 

It’s so thrilling to find the right actor for the role, work with her on it, shepherd her through the process, and then finally get all the filmmakers and the studio executives to agree. Telling actors they’ve got the role is the icing on the cake.

It’s lovely when actors acknowledge our hard work and send a thank-you. I’ve received everything from a phone call expressing gratitude to milk and cookies from Carla Gugino—plus some more extreme gifts. After casting Kelly Preston in four movies (on one of them she met her husband, John Travolta), I jokingly said, “Jeez, Kelly. After all of this I think you owe me a houseboat at the very least!” The next day, her assistant arrived at my office with a very large box. I opened it to find Barbie’s Dream Home Houseboat. Hilarious!

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

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HOW TO BECOME A MASTER SLATER

3196435750_4cef980063_zPhoto credit: uuikibeach

By Marci Liroff

I’m seeing an epidemic of extremely uncomfortable actors in casting offices across the globe. Actors who are seemingly adept at tackling Shakespeare to Mamet have one major problem—slating. One would think, “My gosh, how hard could it be? You just say your name, height, representation, and whatever other info is asked of you.” Yet, time and time again I see actors tripped up by this simple task. Grown men brought to their knees by merely having to say their name to the camera.

Let me help you be a pro. Instead of standing there and feeling like you’re naked and the skin on your face is being peeled back, try slating as your character. As an actor, it’ll give you something more to grab on to.

I’ve talked to several actors about this phenomenon and they tell me that standing there just being themselves is sometimes too intimate for them to handle. They feel vulnerable and miss the security of being able to slip into another’s skin to play a character. They feel silly and awkward and it shows.

If you’re self-taping, follow the directions exactly. For my office, we ask for a full body shot, so make sure your camera is far enough away from the actor to be able to pan down from their head to their feet in one shot. If they ask for a profile make sure to do that as well. Then come back up to the actor’s face in a medium close-up (chest up) and look right at the camera and state your name, height, present location (i.e. I want to know if I’ll need to fly you out from Kansas if that’s your location), if you can be considered a local hire, and your representation. Many casting offices ask for your age but, truth be told, that’s actually illegal. If you’re under 18 and a minor you should state that. Likewise if you’re under 18 but can work as “legal 18” we need to know that.

Keep the audition scenes separate from your slate.

Make sure to keep your slate as a separate scene and not roll right from your slate into the scene—that signals an amateur.

Nowadays, many casting offices already have your profile page set up online ahead of time so you don’t have to slate. Nonetheless, it’s a good skill to develop so that you’re comfortable with it.

Australian actor Lucy Fry, whom I cast in the upcoming film “Vampire Academy,” is probably one of the best “slaters” I’ve ever seen. She seems self-assured, confident, and truly connects with the camera. She shared her process with me. “It’s the only chance you ever get to look directly at the lens, so I try to channel the energy of the character with warmth and confidence so the people watching it can see the way the character sits in me through the eyes. I try to let myself be seen without pushing a fake smile or worrying about what anyone thinks. I am nervous, so I take a breath before I speak and wait a microsecond to feel ready to speak so I am not rushing into it. I guess I treat it like a scene. I try to fill it with the same energy that I would any action as the character because focusing on energy, the breath, and the character makes it feel easier.

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can take it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Please share your comments on slating and how you overcome feeling awkward!

Glad you’re here – Marci