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How to Be Superstar on Set

Photo Source: Margaux Quayle Cannon

By Marci Liroff

Working on a tv series over the last three months has reminded me how much knowledge actors need to work on a set effectively. From what I can see, most acting classes don’t teach this.

Know your lines: You’d be surprised how many actors get hired and come to set without knowing their lines. If you don’t know your lines inside and out, you won’t be able to hear and institute the director’s direction because you’ll be too busy trying to remember what to say. Be prepared for changes in the dialogue. In some situations you will stick to the script exactly. In others, you may be encouraged to improvise or to catch the “happy accidents” that may occur. That “lightning in a bottle” may slightly change the dialogue and you have to be on your toes to fold in those lines into the scene with ease. Also know that your performance should be exactly as it was on your audition and rehearsal. Now is not the time to try out something new.

The marking/blocking rehearsal: When you arrive on set you will run through what’s called a “marking” or “blocking” rehearsal. In this rehearsal, the actors run through the scene with dialogue and, along with the director, sort out what the action is within the scene. For instance, you come into the room, say a line to your girlfriend, grab your keys and phone, walk to the door, your girlfriend joins you there for a goodbye kiss, and then you exit. While you’re doing this, someone from the camera department is marking every place you go with tape or little bean bags on the ground. You’ve got to hit those marks consistently and without looking so that you’ll be in focus and lit well when doing your scene. You also must manage your continuity. Continuity is when you repeat actions in the exact same order, along with saying your lines in the same spot and making sure to have your phone and keys in the same hand for each take. The script supervisor is also tracking your continuity to make sure that all your takes are identical so the editor can cut them together for a realistic scene. You don’t want to be the actor who is a nightmare for the production because nothing cuts together.

Pace yourself:

I think the biggest misconception about shooting is that it’s action-packed and fun filled.

When I say that there’s a lot of hurry up and wait, I’m being kind. You will often find yourself with a call time of 6am and only have one scene and one line that doesn’t shoot until 4pm. You have to learn to pace yourself so that you’re ready and fresh when they finally do get to your scene. Have plenty to do – you can bring a book, knitting, or whatever you like to do to pass the time but stay close by and alert. A production assistant will come get you from your trailer when they’re ready to shoot your scene. If you leave your trailer for any reason, or walk off the set, make sure you tell a P.A. where you’re going so they can find you at a moment’s notice.

Know the lingo: As I’m sure you’ve noticed if you’ve worked on a set, there’s a very specific language used on set that can make you feel like you’ve walked into a foreign country. Once we’re shooting, things are very fast paced so it’s crucial to understand this lingo so as not to slow things down. I created a list of some of the most common words I hear on a set, along with some oldies but goodies!

Some new terms you’ll hear on set these days are:

“Take your masks off/on” – while acting on set you are required to wear a mask at all times except when you’re shooting. The A.D.s will tell you when to remove your mask and when to put it back on.

Zone A and testing – because of the virulent spread of the Covid-19 virus, production has taken great pains to keep everyone healthy. If you’re in Zone A (an actor or anyone who works in close proximity) there will be lots of testing if you’re working regularly on a show (I get tested every other day because I’m in Zone A).

Gone are the days of feasting on the table at craft services. Now, you’ll order your meal from a menu ahead of time and all food is individually packed and no touching the craft services table. Someone from that department will hand you what food you request.

Make sure to check out my online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Warning: I grant permission to share my blog as written with no additions or deletions. Posting my blog is in no way an endorsement of another site unless you obtain my written consent.

How Easily Can You Pivot?

Photo Source: Margaux Quayle Cannon

By Marci Liroff

We are going through unprecedented times. There is no playbook. The global pandemic has killed scores of people, and even more are sick. Our infrastructure is bursting at the seams, and the economy is being tested daily. The unemployment rate is at a historic high in the U.S. and around the world. What has become apparent to me at this moment in history is who can pivot easily and who cannot.

Are you going with the flow and turning a desperate situation into a workable one, or are you digging your heels in because you not only hate change, but won’t change? How you react right now is the litmus test of whether or not you’ll make it through.

I remember sitting with actor Marilu Henner years ago, and she said something so profound, it’s stuck with me to this day. We were having a “big life” discussion when she said,

“Life is about how easily you can slide into Plan B.”

Marilu Henner

This struck me as wise, because, as we know, life doesn’t always go the way you planned. Her whole life concept got me thinking that not only should I have a Plan B, but a Plan C is also crucial.

Then I started thinking about actors. In my opinion, no one is more prepared and equipped to pivot than actors. By virtue of their chosen path, they always have job insecurity. Many of the rest of us work nine-to-five, five days a week. For actors, it’s normal to not know what’s coming next, where you’re going to live, or how you’re going to pay your bills. Their training teaches them to be on their toes in every situation—to respond in real time to whatever is thrown at them. (Hello, improv!) Yet this profession is still sought after. Why? For many, the answer is, “Because I have to.” I would venture to say that actors are hard-wired to pivot.

As an independent casting director, acting coach, and intimacy coordinator, I am also used to my work ebbing and flowing. Sometimes I feel like a walking contradiction because I absolutely hate change. I like to know what’s happening next; I’m not the most spontaneous person you’ll ever meet. I sure don’t like it, but that’s the path I’ve chosen. I’ve become an expert at the pivot because I’ve learned fighting it does not help. 

I’m certainly not suggesting you concentrate on perfecting a professional pivot while you or your loved ones are sick; this article is directed at those who are well and able to do some work on themselves during this complicated time.

Make sure to check out my online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Warning: I grant permission to share my blog as written with no additions or deletions. Posting my blog is in no way an endorsement of another site unless you obtain my written consent.

Find Inspiration During Covid-19

By Marci Liroff

Photo Source: Margaux Quayle Cannon

Boy, time has certainly flown by. It’s been SO long since I’ve written. I hope you’re all staying safe, wearing a mask when you go out, and are social distancing.

In light of the pandemic, I am offering special pricing for my private coaching (remotely of course!) Check out the info here.

A few months ago, we couldn’t have imagined we’d be sequestered in our homes for a prolonged period of time due to a global pandemic. This quiet time has forced us to slow down and be reflective.

Working from home has its own complications. For creatives, it is exponentially harder to find inspiration for your creativity. It’s hard to concentrate when there are so many distractions. Kids need to be homeschooled, the washer and dryer are constantly running—even our pets are more demanding, because they’re not used to us being home 24/7. There’s only so much Netflix you can watch before you have to finally get down to business and do your work, if only for lack of options!

As I’m writing this article, I’ve gotten up no less than four times since I started my first sentence. I see spiderwebs gathered in the corner of the skylight in the kitchen and simply have to climb up on the ladder to clean them away—something I’ve never done in the 19 years I’ve lived here. Apparently, I’ll do anything to not have to sit down and do my work.

With numerous distractions and a lack of stimulation from the outside world, it’s hard to maintain a sense of creativity. So I began searching. I looked to my favorite artists for a clue. Tom Hanks said, “You’re a dope if you don’t steal from everyone you’ve ever worked with.”

Even Pablo Picasso had a take on this, saying, “Good artists borrow, great artists steal.”

This is not to say that you can be authentically creative by stealing others’ work. No one wants to see a carbon copy of someone else; however, there are elements within their work that you can use to spark your imagination and form your inspiration.

I did a deep dive on cable the other night and watched a movie I hadn’t seen since it was released in 1993. “Benny & Joon” is a dark romantic comedy. An unlikely pair, Mary Stuart Masterson plays a young woman with schizophrenia and Johnny Depp plays a magical sprite of a character. Depp “borrows” liberally from Buster Keaton, Charlie Chaplin, and Harold Lloyd to create a captivating character that’s part boy, part man, part unearthly being. You can see that he’s not just boldly stealing their moves, but using their singular flair to inspire his performance.

Think about how many actors have been inspired by James Dean and Marilyn Monroe. Are they just copying their moves or are they using their essence to create a fully fleshed-out character? You’ll see some fail miserably at their attempt, but others manage to reach new heights as a performer.

I suggest you use this time to find an actor or two who has informed your work today. Go back and watch their early films, and you can see that they most likely “stole” from other actors themselves. When acting, you have a great opportunity to learn from those around you. So, keep your eyes and heart open.

Make sure to check out my online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Warning: I grant permission to share my blog as written with no additions or deletions. Posting my blog is in no way an endorsement of another site unless you obtain my written consent.)