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You’ve Got the Role!

thBy Marci Liroff

What’s the best part of my job? That’s easy: telling actors they got the role. Some agents and managers are generous enough to include me when sharing the news with their clients. It’s beyond exciting. All our hard work paid off and I end up jumping up and down with them from my office.

On the film “Vampire Academy,” our producer Deepak Nayar came up with a unique and classy way of telling Zoey Deutch and Lucy Fry that we’d chosen them to play our leads. After a lengthy testing process of auditions, callbacks, and, ultimately, chemistry screen tests with different pairings of female actors, he asked me to invite the two to a meeting at a restaurant with the pretense they had one more hoop to jump through. The creative team had already signed off on the casting, but we wanted to be a part of delivering the news. I told their agents that we needed one more meeting with them and all the filmmakers. Their agents and managers were extremely leery of letting their clients go on yet another meeting when they had already tested: “Haven’t they done enough? What more do you want?” I asked them all to trust me. Our long-standing relationships came into play.

I arrived at the restaurant to find our writer, executive producer, director, and Deepak. He had instructed me not to tell anyone at the table that the girls would be joining us. Frankly, they were quite surprised when the actors showed up to our celebratory lunch. First Zoey arrived, and our director inadvertently leaked that we were celebrating their casting.

Then Lucy joined the luncheon and still had no idea why she was there. Deepak finally got to deliver the good news and she was, as expected, quite stunned. Luckily we managed to capture both their reactions on film, which you can watch on my YouTube channel. It still gives me the chills to watch these videos.

 

It’s so thrilling to find the right actor for the role, work with her on it, shepherd her through the process, and then finally get all the filmmakers and the studio executives to agree. Telling actors they’ve got the role is the icing on the cake.

It’s lovely when actors acknowledge our hard work and send a thank-you. I’ve received everything from a phone call expressing gratitude to milk and cookies from Carla Gugino—plus some more extreme gifts. After casting Kelly Preston in four movies (on one of them she met her husband, John Travolta), I jokingly said, “Jeez, Kelly. After all of this I think you owe me a houseboat at the very least!” The next day, her assistant arrived at my office with a very large box. I opened it to find Barbie’s Dream Home Houseboat. Hilarious!

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

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Is There One Way To Become Successful?

By Marci Liroff

Is Backstage Magazine schizo? After going through the “Experts” advice along with the regular columnists’ articles (such as myself, Stephen Tobolowsky, and Secret Agent Man) I’ve noticed a huge discrepancy from one writer to the next. We are actually contradicting each other week after week. I imagine this is confusing to the reader.

Some examples I’ve noticed in the last few weeks:

  • Don’t bring headshots to auditions; no one uses them anymore. Or, even worse, “I don’t bring headshots to auditions anymore, I’ve outgrown that.”/ ALWAYS bring headshots because the CDs need the hardcopy for your audition.
  • Don’t connect with your reader – you should be able to act on your own because CDs and their associates don’t really give you what you need anyway / You need to connect with your reader to give a fully realized performance.
  • Don’t memorize the dialogue word for word. Put your own spin on it. /Honor the writer and do not change the dialogue as it will make the show creator (who is usually the writer) furious.
  • Take Casting Director workshops because it’ll help you network with the gate-keeper / Don’t ever pay for what amounts to an audition. CD workshops are not an educational experience – you’re just paying for access to a casting office.

It seems that everybody wants the answer. Everybody wants the magic pill. How do I do it? How do I get there?

I’m here to tell you that there is no one answer.

There are many ways to get from point A to stardom – or better yet, to be a successful working actor.

I’m often asked for referrals to acting classes or head shot photographers. I send actors, managers and agents my well thought-out lists. These are my suggestions of acting classes that I’ve actually sat in through the years so that I know, first-hand, what the classes are like. Yet, I still get responses like, “Well, which ones do you like? Which are the best?” I’m sending you the ones that I like on a narrowed down list. You now have to do the research to find out which acting coach or photographer clicks with you. Finding the right teacher or photographer can be like finding the right shrink. Only you know which one you’re going to let in. By auditing classes and going through photographer’s websites and meeting them, you need to use your gut to find the person who you can trust and who will inspire and push you. What works for one person won’t necessarily work for another. There is no “best”. It’s not “one size fits all”. There is no right answer here.

The takeaway here is that our articles are all opinions and points of view based on years of experience in this field. There is no “industry standard” on the right way to attack your acting career. Take it all in, continue to do your research, and use your instincts to figure out which advice is best for you.

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

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Let It Go

By Marci Liroff

I had a very unique experience a few weeks ago that I just have to share!

I am the Executive Producer and Casting Director of a pilot presentation entitled “Myrna”. “Myrna” follows the life of an actor who sacrifices everything as she makes the transition from male to female. So far, we have raised over $34,000 (with a record breaking achievement of matching our goal of $25k in the first 10 days!)

I had been involved with this project as we tried (and failed) to get it off the ground over the last couple of years. After many re-writes we had a great script, the timing was right, one of our producers positioned us just perfectly with the crowdfunding site “FanBacked” and finally we were in pre-production.

When I was first offered the project I told them that I would do it on one condition. I had to play the role of the casting director. The creator, Marlo Bernier said, “Are you kidding honey? I wrote it for you! You better play it!”

I clearly remember waking up on my shooting day with the “Christmas morning” feeling in my belly. I was so excited. I had learned all my lines with the help of a friend and The Rehearsal app (which by the way is brilliant for learning your lines!).

I came to set with no make-up on as requested along with a collection of a few outfits that the wardrobe designer asked for. This was the start of my giant leap of faith to trust and let go. You see, I usually never leave the house without at least some make-up on. At my age I see this as a benevolent gesture on my part toward mankind. I sat down in the make-up chair and the set photographer immediately started taking shots of me. Um, no. Not without make-up I pleaded. He respected my wishes and walked away.

I then proceeded to have a giant case of flop sweat. Think of the scene in Broadcast News when Albert Brooks was sweating right through his suit and drops of sweat were raining down on his news copy.

We were shooting in a TV production office on a Sunday and I probably reminded our producer Jennifer Fontaine about six times to make sure the air-conditioning was working properly that day. Control freak. She was so kind, she even came in at 6am to get it cooled down by the time I arrived. Nonetheless, my body decided to take over which resulted in the make-up lady fanning me with a giant manila file folder. A giant electric fan appeared from an angel production assistant and things started to get back on track.

That is, of course, until I was sent to get my hair done. I walked down a dimly lit hallway to a small storage room where our Emmy award-winning hair designer was working. I sat down in the chair and again found myself concentrating on letting go. No mirror. What?! I had no idea what he was going to do to my hair. I already had my hair done for the shoot so I can’t imagine why he was ratting, backcombing, and spraying copious amounts of hairspray. “You like big hair, don’t you?” I was terrified. I came out looking somewhat like my mother; which is not entirely a bad thing – just not my look. Everyone said I looked beautiful so I went with it.

I then went to set for camera blocking and to run my lines with the lead actor, Marlo Bernier. My scene illustrated how hard it is for Myrna who was widely known in the business as Michael, to get a job in her new incarnation. I was surprisingly not nervous. I was the opposite of nervous. As soon as I looked in Marlo’s eyes across the desk I felt oddly serene. I knew my lines, the scene worked well, and I was comforted by the personal touch the production designer, Warren Young, had left for me on my “desk” – his personal day planner. We shot the master, her close-up, my close-up and we were done before I knew what happened.

For a few hours I gave up being a control freak, leaned in, trusted, and let go.

I think I might try that again in real life!

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

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