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Is Your Acting Teacher Making You Sick? – Part 3

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By Marci Liroff

In my May 29 and June 12 columns, I spoke to some acting teachers and coaches about some of the horror stories I’ve been hearing from actors about their classes. But what happens to these actors when they finally come to the realization that those classes are hurting them? How would other teachers describe these walking wounded?

Acting coach Jeffrey Marcus responded, “For me, the walking wounded are the people who come to me depleted of all their self-esteem and confidence from, sometimes, a word said or a hope or dream dashed by their last teacher. Actors are sensitive. When they put their trust in a teacher, pay them their hard-earned dollars, pour their heart and soul into the work, and then get trashed because the teacher taught a famous actor who became a star…they must know.”

“There is a teacher in town…and I can always tell from the dead look in their ex-students’ eyes where they just studied when they come to me.”
Jeffrey Marcus

With so much bad behavior running rampant among teachers, what kinds of relationships are healthy? Marcus gave a thoughtful reply, saying, “It is my job to be of service. I am there to challenge, support, encourage, enlighten, and expand limitations. I am there to send them out with more joy and confidence with which to face the travails of the industry. Hollywood is tough. Class should be a safe haven from which to drink from the well and get replenished for the week ahead.”

“Acting can be a brutally difficult craft,” actor and licensed marriage and family therapist Julie Carmen told me. “Coddling students can set them up for a crash when the business rejects them, but abusing, humiliating, ridiculing, and insulting an acting student is totally unethical, dangerous, and counterproductive. Ideally, actors grow when they join companies, attend class daily, and do their inner work to discover the range of their personal palette. The most valuable trait is courage. Nurturing, attunement, and secure relationships breed courage.”

As for his part, actor and teacher Jack Plotnick thinks teachers and therapists aren’t that different. “I believe that an acting teacher should have the same relationship that therapists have with their clients,” he says. “I try to create a safe space where they never feel judged. I make sure that no one but me comments on their performance. I am always sharing with them that it doesn’t matter what I think about their performance. What matters is what they think. Acting runs on ‘empathy,’ which means that an audience can only experience what you experience. That’s why I tell actors they must be selfish and only interested in their own experience in the scene. Because any part of them that is trying to impress the teacher or deliver a good product is a part of them that is not having a rich emotional experience, thereby giving the audience a rich emotional experience.”

What about you? Have you ever experienced what you’d call inappropriate or cult leader behavior from your acting teacher? Why did you stay in the class?

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Want to share this post? Here are ready made tweets!
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Is Your Acting Class Abusive?

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By Marci Liroff

In my last blog “Is Your Acting Teacher Making You Sick?”, I wrote about the cult of acting teachers and how actors can sometimes be swept up in their bad behavior. I’m gathering these stories to shine a light on this culpable behavior and to clarify what is healthy and what is abuse. I know this goes on in every industry, but it’s particularly heartbreaking when it’s in a situation like an acting class, which should be a safe place to learn and make mistakes. Actor and acting coach Jack Plotnick has another story.

“One actor did a scene and the teacher said the girl could not train with her until she got some therapy from the teacher’s sister, who is a therapist!” he says. “She said that the teacher keeps the students coming by instilling the idea in them that they are not ready and are not good enough yet. She felt that this played into her subconscious gluttony for punishment, which I think a lot of actors have because they are unconsciously punishing themselves for being artists in a world that does not respect artists and instead worships business.”

Plotnick has also heard of a gay actor being told that if he wanted to work he would need to drop all of his gay friends and only hang out with straight men. And according to Plotnick, one teacher “allows her students to comment on other students’ work, and even leaves them alone to run the scene in front of their peers and lets their peers give them feedback. These actors are paying out the  nose and she isn’t even at the class! As soon as I began coaching actors I started hearing horror stories of the bad training and abuse that can happen in acting classes. And the sad thing is that most of the worst stories came from the  students of the most prominent teachers.”

I’m mystified by this.

Why would actors continue to attend classes with—and pay great sums of money to—these kinds of teachers?

Plotnick had a thought-provoking take on this.

“The issue is that actors usually leave an abusive or unhelpful class feeling like the problem is them and not the teacher,” he says. ”Actors want to feel that they are ‘working’ at their craft. Perhaps they want to prove to their family that they are not ‘lazy’ or ‘irresponsible,’ or perhaps they have bought into the belief that classes lead to bookings. I believe in working at my craft as well, but for me, that always meant to be acting as much and as often as I could. And since I love acting, it never felt like work. And the best part is that whenever I would put up a play or a sketch show, some wonderful job would be delivered to me. I became a magnet for the work instead of chasing after it.”

Acting teacher and coach Jeffrey Marcus had an interesting response. “The only reasons I can think of are that some people want to recreate the abusive relationships that they had with their mentors-parents. The ‘no pain, no gain’ mentality: If it ain’t hurtin’, it isn’t making you grow. It’s very sad to me. In this town, the buzz is everything. When a teacher gets hot, they start believing their press, too. What started out as a calling to assist becomes an ego-driven vehicle to build up their own crumbling self-esteem. Any teacher who uses their power to seduce their students, whether sexually or to create a social network, is out of integrity.”

Check out Part 3 of this exposé June 26, when I talk about the healthy relationship you should seek from your acting teacher.

What about you? Why do you stay in class if it isn’t helping you?

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Want to share this post? Here are ready made tweets!
Click to Tweet: ‘Is Your Acting Class Abusive?’ @marciliroff shines a light on this nasty phenom http://bit.ly/1hMDUwV
Click to Tweet: Why are #actors paying large sums of money to be abused by their acting teacher? @marciliroff exposé http://bit.ly/1hMDUwV

THESE BOOTS ARE MADE FOR WALKIN’

By Marci Liroff
I’m going to give you the secret to really feeling your character when you’re on stage, on a set, or in an audition. It’s so simple you’ll kick yourself that you didn’t think of it. Shoes. Yes, shoes! The right shoes will plant you so deeply in your character; it’ll be hard to walk away. The wrong shoes will screw you up so badly you’ll fall on your face – literally!
Recently, I was casting the leads in a feature film, “Vampire Academy: Blood Sisters”, and the scene we chose had the character in a training session. She was sparring with her teacher. Most of the actresses who came in really “got it” and wore either sneakers or flat boots with no heel. Some, inexplicably, came in wearing thigh-high boots with platforms and 6” heels. One poor gal tried a kickboxing inspired move and landed on her ass. We changed the appointment sheet to instruct actresses NOT wear high heels or any kind of heels. Still, several actresses still came in wearing the thing we specifically told them not to wear. What does this signal to us? Unfortunately it shows us that you are not able to take simple direction and aren’t thinking. It’s such a small thing, I know, but if you aren’t paying attention to the small details you can’t grasp the bigger stuff. I take great pains to help you so that when you come in for an audition for me you’re prepared, informed and there’s one less thing you have to worry about.
Los Angeles actor and teacher Jeffrey Marcus says, “Taking the time to choose a pair of shoes that my character would wear usually sets off a domino effect of conscious and unconscious revelations and discoveries that further enhance the characters’ life for me. Shoes tell a lot about the man (or woman) and assist me in moving into the walk, talk and backstory. As an exercise, observe the shoes of those around you, and create a detailed biography. Shoes tell more about a person than any other article of clothing. The Native Americans say to “Never judge a man until you’ve walked a mile in his shoes.” Since actor rule #1 is “don’t judge your character”, I take that literally and believe that by putting on a special pair of shoes, you can enter into an imaginary world with compassion. Don’t forget the appropriate socks!”
The same is true for wearing the right clothes for an audition. Years ago I was casting the film “Ghosts of Girlfriends Past” – which largely took place at a rehearsal dinner and a wedding. Most actresses were so smart and came in wearing cocktail dresses and heels, and the men in suits and ties. I was shocked when a couple of actresses came in wearing jeans shorts and flip flops – for one of the leads in the film – to read for the director and myself. What does that tell me? How an actor dresses for an audition indicates to us how you’re thinking. Now I’m not saying you have to get “costumey” – far from it. Remember, we take these audition videos to our filmmaking team who isn’t in the room. If you already look like the part because you’re dressed so convincingly, half the battle is won.

Hot tip for the ladies: Because our casting office may be on one side of the lot and the parking lot may be miles away sometimes  – bring a pair of flip flops or flats with you so you can make the hike to our office and not hurt your feet!! Also, batting your eyelashes and flirting with the guy on the golf cart and asking for a ride is totally acceptable!!
Do you have any questions for me? Feel free to ask them here!

We welcome your comments and suggestions.

 Glad you’re here!
Marci
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